Abstract

As the ontology structure of vortex pattern, no matter the development of society, aesthetic concept and technology, it can always find the most ontology structure in decoration, shape and technology. From the perspective of jade, the paper analyzes the evolution and reconstruction of the material characteristics and technological characteristics of the jade itself, and explores the cultural and artistic value hidden behind the decoration.

Highlights

  • The vortex pattern was produced in the early Neolithic period, which is the earliest curve pattern in the primitive period

  • Such as Mr Hainino’s Decoration and Human Culture (Hainino, 1990), they analyzed the morphological characteristics and approximate decorative structure characteristics of the rope knot, thunder, rolling grass and other patterns one by one, and explored the relationship with the original spiral lines in the origin; according to the “birth of modeling” (Sugiura, 2013) by Sugiura Kohei, Japanese, it expounds the view of vortex grain as the subject of pattern evolution according to the characteristics and structural forms of vortex decoration in different eras and regions

  • From the perspective of ancient jade, the vortex grain is modern image interpretation, combined with the characteristics of its technology development, to obtain the human cultural thoughts and aesthetic concepts presented in the jade carving art

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Summary

Introduction

The vortex pattern was produced in the early Neolithic period, which is the earliest curve pattern in the primitive period. Many scholars have had some studies on vortex lines Such as Mr Hainino’s Decoration and Human Culture (Hainino, 1990), they analyzed the morphological characteristics and approximate decorative structure characteristics of the rope knot, thunder, rolling grass and other patterns one by one, and explored the relationship with the original spiral lines in the origin; according to the “birth of modeling” (Sugiura, 2013) by Sugiura Kohei, Japanese, it expounds the view of vortex grain as the subject of pattern evolution according to the characteristics and structural forms of vortex decoration in different eras and regions. From the perspective of ancient jade, the vortex grain is modern image interpretation, combined with the characteristics of its technology development, to obtain the human cultural thoughts and aesthetic concepts presented in the jade carving art

The Origin of Aesthetics Consciousness of Vortex Patterns
The Origin of the Cultural Consciousness of the Vortex Patterns
Application and Artistic Value of Vortex Grain in Jade
The Plastic Art Value of the Vortex Patterns
Process Application Value of Vortex Pattern
Conclusion
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