Abstract
The paper follows the thesis that the Heidegger?s distinction between presenting the beings and production of being from the book ?In addition to his own publications? (2018) proves that the expression ?beings? from Heidegger?s definition of art as the setting-itself-to-work of the truth of beings from the essay ?The Origin of the Work of Art? (1936) can have a threefold meaning: beings as beings represented in the work of art (relevant for representational arts), beings as an artwork itself (relevant for both representational and non-representational arts) and, finally, beings as beings as a whole.
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