Abstract
Being is, above all, a vocation to continue to be. In the inanimate world, pure inertia achieves this ambition by means of its insistence on maintaining every conceivable state of equilibrium or else of movement. That which is persists in remaining as it is; a stone, for instance, insofar as nothing prevents it from continuing to exist in its condition as a stone. Certainly, this is the earliest and most remote origin of that which, at a later stage, is destined to manifest itself in art in a form that is not recognizable; in this case one might well say that, in the Beginning, was Classicism.
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