Abstract
Summary The Broken Chair, a colossal sculpture positioned in the Place de Nations outside the main entrance to the Palais de Nations — the UN Office at Geneva — provides a site and a micro-geography of diplomacy. This essay examines this transgressive gift to the UN, challenging customary norms of gift-giving, and its energetic use by liminal diplomatic subjects pursuing diverse causes. It explores the social life and agential competences of this diplomatic object, its ability to recontextualise ‘the square of nations’ and to affect and empower those connected to it. Overall, it surveys its vibrant materiality that supports alternative diplomatic presence and possibility.
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