Abstract
The boundaries of the artwork visibly change the perception of the seemingly unshakable physical laws. For example, the works of writers of the beginning and end of the twentieth century, who created samples of the so-called. “Border literature” (N.L. Leiderman), we consider the ethnocultural component of certain physical categories and their role in creating the image of “their own” and “alien” national world within the framework of Russian-language literature. As a “counterweight” to each other, the images of the world of the nomad steppe and sedentary Slavic people are used.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.