Abstract

ABSTRACT Both Black and Jewish studies theorize archival memory, as well as archival gaps and silences, in regard to slavery and the Holocaust, respectively. Yet, these modes of theorizing the archiving have not been put into conversation. This article examines Danzy Senna’s 1998 novel Caucasia as a staging ground for a dialogue between archival theory in Black and Jewish studies. In considering archival imagery and themes in the novel, I argue that collecting, rearranging, and reassembling physical objects is Birdie’s primary way of negotiating not only her Blackness but also her imagined Jewishness as a way beyond racial performance.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.