Abstract
This short essay reflects on the material history of lesbian-produced adult media as well as the institutional and methodological problems that attend researching it. Denied entry into established adult entertainment markets, lesbian pornographers had to create their own adult media economies and infrastructures. Using archival objects as a point of entry into this history, this essay considers the material dimensions of women's labor as well as the immaterial cost of that labor, ultimately arguing that current approaches to adult media history fail to capture lesbian-produced texts or their unique modes of production, circulation, and reception.
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