Abstract
Archival theory in Italy has a long tradition, going back as far as the second half of the nineteenth century, and with roots in the 17th and 18th centuries. Central theme in the theory is themetodo storico, the principle of provenance, for the first time expressed in the late 19th century by Bonaini and Bongi. In the following decades archivists like Casanova and Cencetti were among the leading authors. Elio Lodolini assigned himself the task to synthesize ideas and notions, within a clear distinctions between records (registratura) and archives. One of the overall characteristics of the rich Italian literature is the stressing of the cultural value of archives.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
