Abstract
AbstractThe widespread preoccupation with memory continues to endure in contemporary art, academic discourses, and social practices such as commemorations, observances, and memorials across the globe. Archives, as spaces of and catalysts for memory, play a central role in society’s modes of remembering, and over the past several decades, artists’ engagements with archives – whether as source, concept, or subject – has turned a spotlight on the workings and transmissions of archival memory. This essay examines some of the critical activators of contemporary art practice with archives to contemplate the mnemonic possibilities of archives and artworks made with them.
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