Abstract
ABSTRACTThree artworks pertaining to language and geometry are presented in this article accompanied by extended descriptions dealing with structural linguistics and the relationship between language, perception and architecture. The author proposes a perceptual interface between phonological and morphological structures in the creation of visual information upon the surface of the retina, suggesting a new way to think about the relationship between language and architecture. Language forms an adherence to the architecton within the metaphysical context and within the intricacies of structural linguistics, in which syntax, syllable, phrase and morphemic structure form a parallel understanding of the creativity of language in the creation of architecture.
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