Abstract
In this micro-essay on the artists James Cooper (of Bermuda) and Jamilah Sabur (Miami-based, born in St. Andrew Parish, Jamaica), I explore both artists’ portrayals of the subaqueous landscapes of the Caribbean. Both strive to convey the complexities of tropical land- and seascapes sedimented with the detritus of human cultures and histories. In these landscape ecologies, residues provide tactile pathways back to the island past.
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