Abstract
The Etruscan city states flourished in westcentral Italy from the late 8th century BC until their conquest and absorption by the emergent state ofRome in the 4th century BC. In 1985 Italy celebrated the century or so of work on its oldest civilization with a series of major exhibitions under the slogan, ‘Buongiorno Etruschi’ (‘Good morning, Etruscansi!’). There were eight major exhibitions in Tuscany displaying over 5000 objects from all the major collections in the region, designed to cover most aspects of Etruscan culture – settlement systems, domestic and religious architecture, religion, everyday life, crafts, and artistic achievement. As the sponsors FIAT wrote in their preface to the splendid catalogues produced for the project (e.g. Camporeale 1985; Carandini 1985; Cristofani 1985; Stopponi 1985), the intention of this massive undertaking was to convey to the Italian public that the Etruscans were not just a dead civilization known above all for the way of death of its élite, but ‘a lively culture of ordinary people, merchants, and craftsmen’.
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