Abstract
Michael Chabon’s alternate history novel The Yiddish Policemen’s Union (2007) is one of a few novels of that genre that have received recognition from beyond its fan community. This essay argues that the novel’s success can be attributed to its thematic participation in a post-9/11 public discourse which addresses and complements the generic conventions of alternate history.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Current Objectives of Postgraduate American Studies
Paper Title
Journal
Date
