Appearances can be Deceptive: Building and Decorating Anglo-Saxon Churches

Abstract

Anglo-Saxon architecture was first securely identified in the early 19th century, after which its characteristics were progressively defined and discussed. At the beginning of the 20th century, Gerard Baldwin Brown assembled a corpus of the surviving structures, analysing their architectural styles and attempting to date them; this process was continued and refined by Harold Taylor, culminating in his three-volume opus (1965–78). Since then, many new discoveries have been made and detailed studies of individual buildings carried out, together with major excavations at Winchester, Wells, Gloucester, Jarrow, Wearmouth, Barton-upon-Humber and other locations. Research has also been directed towards the remains of painted decoration on stone and plaster, and on the small amount of carpentry surviving from the period. Consequently, the volume of evidence relating to Anglo-Saxon churches, their construction and decoration has increased enormously. In particular, there has been a growing realisation that these churches were not the ‘rude structures’ that they were dubbed by early antiquaries, but sophisticated in design and execution. Moreover, they were highly decorated internally, and probably externally too. This paper reviews some of the evidence gathered over the last forty years, mainly through archaeological investigation, both above and below ground. It concludes that we have hitherto underestimated the physical complexity and the architectonic and artistic qualities of Anglo-Saxon churches. It is now possible to reconstruct from ephemeral evidence a much greater understanding of the three-dimensional form and decoration of these buildings.