Abstract
The song “Apagando el sistema” was released in 2015 during protests against the youth labor law known as the Ley Pulpín and frequently reposted on Facebook to show solidarity with various political and social issues. Analyzed from the perspective of what I call “fusion aesthetics,” it can be considered to build on the tradition of the Latin American Nueva Canción, reflect the fragmented nature of protests, and help the musicians negotiate their identities as mestizos and fight racism and discrimination in Peru. La canción "Apagando el sistema" fue lanzada en 2015 durante las protestas de la ley laboral juvenil conocida como Ley Pulpín, y se republicó en Facebook con frecuencia para mostrar solidaridad con diversos temas políticos y sociales. Un análisis desde una perspectiva de lo que yo llamo "estética de fusión” nos permite decir que la canción se basa en la tradición de la Nueva Canción latinoamericana, refleja la naturaleza fragmentada de las protestas y ayuda a los músicos a negociar sus identidades como mestizos y luchar contra el racismo y la discriminación en el Perú.
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