Abstract

The article considers Gertrude Stein’s reflections about the increasing abstraction of economics in response to the Great Depression and Roosevelt’s New Deal in a number of explicitly political pieces from the mid-1930s, including “A Political Series” (1935), and her five brief newspaper commentaries on “money”: ”Money”, “More About Money”, “Still More About Money”, “All About Money”, and “My Last About Money” (1936). The article then relates them to Walter Benjamin’s and Giorgio Agamben’s ideas about the religious implications of the money system that resonate with Stein’s salute to the “believer in money” as security against contemporary authoritarian tendencies. Stein’s opinion pieces argue against taxation, unionism, and public spending, yet also demonstrate the slippery passage between her explicit conservatism, her economic liberalism and her still present radicalism and critique of patriarchal authority as they recycle crucial elements from contemporaneous works such The Geographical History of America (1935) and Everybody’s Autobiography (1937).

Highlights

  • EARNING MY FIRST DOLLAR In 1933, at the age of 59, the American writer Gertrude Stein published her first and only bestseller The Autobiography of Alice B

  • In the sequel called Everybody’s Autobiography (1937), she writes about her experience of making money on her writing: When I was a child I used to be fascinated with the stories of how everybody had earned their first dollar

  • Did Stein’s portraits like other avant-garde poetry of the early 20th century testify to modernism’s representational crisis and break with formal conventions to make form and content intertwine in new ways, they applied an infrastructural poetics, making the distribution an integrated part of the artistic material on equal terms with the linguistic material and the subject matter

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Summary

Introduction

EARNING MY FIRST DOLLAR In 1933, at the age of 59, the American writer Gertrude Stein published her first and only bestseller The Autobiography of Alice B.

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