Abstract
The article offers a detailed study of the twentieth-century Turkish poet Attilâ İlhan’s early work by focusing on the use of imagery and atmosphere. The critical term in Turkish literary studies for imagery is imge and the term has acquired an unsettlingly wide semantic range since its popularization with the rise of the İkinci Yeni poetry movement in the 1950s and 60 s. İkinci Yeni's descriptive procedures continue to be the dominant influence on Turkish poetry today and this article turns the spotlight on Attilâ İlhan in order to trace alternative conceptions of imagery which were developed concurrently and in reaction to the İkinci Yeni movement. The article engages with relevant psychoanalytic and affect theories that help elucidate İlhan's use of anxiety as a socially and poetically constitutive force.
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