Abstract
Until 1975, with the publication of Valentino Gerratana's critical edition of Antonio Gramsci's Quaderni del carcere (prison notebooks), there was no authoritative text with which to assess Gramsci's notes on literature and culture in general. The Einaudi volume entitled Letteratura e vita nazionale was first published in 1950 and for twenty-five years this popular edition, which arbitrarily isolated Gramsci's reflections on literature and related topics from their original context, served as the basis of scholarly investigations on Gramsci's contribution to the sociology of literature.'
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