Abstract
ABSTRACTThis article catalogues and contextualizes Antonio Gramsci’s pre-prison newspaper articles on Futurism, as well as each reference to Futurism in the Quaderni del carcere, to show that Gramsci is equally attentive to aesthetic and political concerns in his evaluation of the movement, and that they present an evolving but coherent view. This perspective is conditioned by awareness of Futurism’s interventions in the context of efforts at creating a ‘contemporary romanticism’, to use Gramsci’s term. Furthermore, this view is predicated on Gramsci’s insistence that Futurism fails in its aim to create a national(ist) art and culture because its leader, F.T. Marinetti, cannot overcome his attachment to the Italian high literary tradition, and the role of the artist within it.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
