Abstract

Literary utopias, i.e. designs for the theoretically perfect society, have been common in Western literature since Plato's The Republic . A variation on this genre which emerged in the nineteenth century is the anti-utopia, or dystopia, in which an author depicts the worst of all possible societies. Dystopias usually exaggerate contemporary social trends and in doing so, offer serious social criticism. This essay examines the treatment of leisure in four widely-read dystopian novels. The leisure described in these novels we call anti-leisure. It is not leisure's opposite, work, but leisure perverted to achieve the perpetuation of tyranny. Such leisure regulates identity, prevents individual thought, impedes self-sufficiency, encourages immoderation, and distracts citizens from social injustice through various compulsory activities. Such novels encourage the re-examination of theories of leisure from a humanistic standpoint.

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