Abstract

If the Anthropocene designates humanity’s environmental footprint, the Capitalocene underlines the economic and political premises of the current climate crisis, tied to long-term colonial dispossession and exploitation of ‘cheap nature’. The current article explores the matrix of violence embedded in the Capitalocene as it is appears in the research-based critical art projects produced by Romanian artists Anca Benera and Arnold Estefán. I show how, focusing on devastated or fabricated landscapes, as well as on contested sites of conflict from the Global South that are often camouflaged or disguised under eco-veils, Benera and Estefán’s art practice rethinks post-socialism from a planetary perspective. I also claim that their body of work, which employs archival and cartografic formats of visualisation, proposes an alternative epistemological matrix, directed against the global exercise of environmental and political violence.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call