Abstract
This essay pays homage to the role that anthologies have played in creating and sustaining black women’s studies. The essay begins by discussing how selected anthologies by women of color responded to the author’s pedagogical and scholarly needs at critical moments in her career, demonstrating that anthologies are very much a generational genre with an embedded theoretical lens. The essay ends by discussing some of the future challenges for black feminist criticism and its relationship to critical race feminism so that it may remain a robust area of inquiry.
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