Abstract
The paper proposes to study R Raj Rao’s ‘National Anthem and Other Poems’, to explore how Rao’s work constitutes a subversive discourse that illuminates the landscapes of queer desire constituted from the wide range of formulations of the queer self in post-colonial urban India. The paper argues that the texts are performative acts that create eroticised topographies created by and from the performance/consummation of sexual acts. Drawing from a close reading of selected poems, the study seeks to illuminate the politics and performance of a subversive aesthetic forged from an intersection between radical queer aesthetics, and the evolution of a queer subject both at odds and complicit with masculine right wing nationalism in contemporary India, a curious mix of free market liberalism, and celebratory post-colonial right wing majoritarianism that has strengthened the old heteronormative mores, rather than dissolving them even as India has decriminalised homosexuality.
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