Anstelle einer Autobiographie? Schreiben über die Shoah in Stanisław Lems "Apokryfy"

Abstract

This paper focuses on Lem’s transition from autobiographical writing to paratextual discourses.This shift is discussed as reaction to the delegitimized position of the subject, especiallyafter the Shoah and wartime experiences. When Lem deals with wartime experiences he doesn’tresort to autobiographical writing and, hence, won’t write a sequel to the self-portrait about hischildhood and adolescence in Wysoki Zamek (The High Castle, 1966). Instead, the writer createsin some of his works paratextual narratives that reflect the new, distorted subjectivity whichemerged in the aftermath of the Shoah. With this rupture of civilisation in mind Lem’s paratextualwriting represents a criticism of subjectivity as well as the autobiographical foundations in memoirs.In his approach Lem outlines the profile of a modern subjectivity that echoes the critical reassessmentof the subject in Critical Theory (Adorno, Horkheimer, Marcuse). This article tries to shed some light on this intriguing correspondence and attempts to highlight Lem’s understanding as well as literary practice of post-autobiographical writing about the subject.