Abstract
To demonstrate the relevance of an artist's biography to the understanding of her creations, no instance is more persuasive than the career of the 17th-century Italian painter Artemisia Gentileschi. Numerous scholars have attempted to correlate the nature of her subject matter with the more dramatic events of her picaresque private life. A psychoanalytic effort to make such a correlation needs to go beyond discrete incidents, to reconstruct her personality and its development. Artemisia's oeuvre is tightly focused on a fantasy system of sexual irrestibility, probably based on the interactions of this motherless child with a delinquent father. Hypotheses that the artist became a vengeful victim overtook her strength, resilience, and affability.
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