Abstract
1. Confessions of a Young Man (1888) ([3] p. 35) At that moment the glass door of the cafe grated upon the sanded floor, and Manet entered. Although by birth and by art essentially Parisian, there was something in his appearance and manner of speaking that often suggested an Englishman. Perhaps it was his dress – his clean-cut clothes and figure. That figure! those square shoulders that swaggered as he went across a room and the thin waist; and that face, the beard and nose, satyr-like shall ...
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