Abstract
Zombie blockbuster films generate their iconic zombie hordes using the same crowd simulation software biologists use to model cellular infection. These hordes and the humans they chase stage the struggle between two forms of molecular movement: randomized collision versus direction-oriented movement. By thematizing the effects of nonhuman movement within extensive visual effects sequences, these films merge two drastically different scales of the body—interior multitudes and migratory populations—and challenge biopolitical theories that see health as largely regulated by nation-states through controlled transportation networks and policed borders.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
