Abstract

Angela Carter's "The Bloody Chamber" stands as a transformative work in feminist literature, challenging entrenched gender norms and reshaping the landscape of contemporary storytelling. This paper delves into Carter's narrative prowess, exploring how her reimagining of traditional myths serves as a potent critique of patriarchal structures. Employing a qualitative research approach, this study utilizes a comprehensive literature review to analyse Carter's contributions to feminist discourse and the critical reception of her seminal work. Drawing on postmodern literary theories, particularly Roland Barthes's theory of myths, the paper examines Carter's deconstructive approach to storytelling and its implications for feminist literary criticism. Through meticulous analysis of Carter's narrative techniques, thematic preoccupations, and engagement with feminist discourse, this study offers fresh insights into the enduring relevance of "The Bloody Chamber" in contemporary literary studies. Ultimately, this paper contributes to a deeper understanding of Carter's literary interventions and their broader implications for gender representation and cultural discourse.

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