Abstract
This chapter analyzes the filmic trajectory of well-known Argentine documentarian Andres Di Tella. The author places Di Tella’s work in dialogue with the most important social and political events of the twentieth and twenty-first centuries. More importantly, however, he shows how Di Tella’s work reflects a more general development of Argentine documentary filmmaking at the turn-of-the-millennium: particularly the emergence of the “subjective turn” and the subsequent return to the political. The chapter therefore reads Di Tella’s cinema as a barometer for the evolution and diversity of Argentine documentary filmmaking over the past thirty years.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
