Abstract

ABSTRACT Can critical questions and complicated conversations addressing issues of representation, difference, and witnessing be positioned at the centre of a TYA curriculum? This article examines contemporary, issue-based and culturally specific TYA scripts. In addition, a collection of aesthetic representations are offered as dynamic prompts to help further provoke dialogue across difference, and to invite different forms of knowing and knowledge into our shared TYA spaces. These curated sources are considered alongside the wisdom of Elie Wiesel, Johnston’s ‘Slow Curation’, Lauzon’s ‘Cultural Intimacy’, and Rothberg’s ‘Multidirectional Memory’ concepts in the effort to welcome and sustain relationships across multiple and challenging contexts.

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