Abstract

The article investigates the meaning and value of Jacques Lacan’s term ‘extimacy’. It argues that there are two competing notions of extimacy at work in the literature, a negative one (which dominates the literature) and a positive (nascent) one, which is not yet fully worked out in the literature and to which this contribution offers a form of development through the recourse to the instance of the (love) letter in the unconscious. The author associates the positive ‘valence’ of extimacy with what Paul Cilliers calls ‘a certain slowness’ which is inextricably tied up with reflection as one of the fundamental features of any successful psychoanalysis, namely an analysis that passes through the Act. The author shows how the writing of a love letter – as an instance of slow reflection – not only exposes a (repressed) positive dimension to extimacy, but also (and perhaps because of this) qualifies as an instance of more or less successful self-analysis – what the author associates with a psychic progression of sorts.

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