Abstract
N THE WELL-KNOWN TEXT published on the occasion of his sixtieth birthday, Fiinf Revolutionen seit 1950, the composer asserted: Since the beginning of 1986 I have felt very much as I did in 1952 in the Studio for Musique Concrete of the ORTF in Paris, and from May 1953 in the Studio for Electronic Music of the WDR, Cologne: confronted by innumerable unfamiliar compositional situations in which one literally did not know where to make a start.'
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