Abstract
This paper examines the link between ancient Greek prostitutes and the textile industry, specifically through the women’s association with braiding frames, spinning, and wool-baskets, as they are portrayed in Attic vase-painting. The argument presented is twofold: one, prostitutes from all ranks were involved in the textile industry and were thus depicted working wool in vase-painting; and two, Aphrodite, the prostitutes’ patron deity, was also linked with textiles through the representations of her headdress, gestures of spinning, and her embroidered chest ornament on Attic pottery.
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