Abstract

This article investigates the emergence of the Indian Partition of 1947 as an apocalyptic referent for twenty-first-century Indian cultural imagination of nuclear war with Pakistan, because of the Partition’s traumatic, genocidal imprint on the subcontinent’s cultural memory. We will show how performances of nuclear brinkmanship and nuclear anxiety in India have historically been and continue to be symptomatic of the themes the Partition has bequeathed to Indian literature—kinship, vengeance, identity, and mutual destruction on a gigantic scale. With reference to these themes, we will critically analyze three Indian cultural texts—Vikram Chandra’s novel Sacred Games (2006), its Netflix adaptation (2018–2019), and Sami Ahmad Khan’s novel Red Jihad (2012), especially focusing on the ways in which such texts attempt to feature and resolve Indo-Pakistani nuclear crises. We will demonstrate how these texts embody a cultural shift wherein the nuclear crisis ultimately underscores the urgency of healing Partition’s historical wounds.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.