Abstract
Abstract This article with artist pages is a self-reflection on danced engagements with land and lineage. In performing with elemental nature and at historical sites, I met my own broken memories of colonized land and severed ties to ancestral lands. These pages feature images of two performance series taking place in and near Montréal city, a cosmopolitan hub of the French province of Québec, Canada. Wise words from storytellers, artists and scholars in the field of Indigenous knowledge (Sto:lo and Anishinaabe nations) guide my textual narrative, and issues of ethical ethnography compel its performative embodied inquiry.
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