Anatomical Analysis of Holbein’s Dead Christ in the Tomb and Corresponding Theological Commentary

Abstract

Approaching Hans Holbein’s painting The Body of the Dead Christ in the Tomb (1521/22) this paper combines the expertise of anatomical analysis and the perspective of theology and philosophy in order to address some of the well-rooted assumptions about Holbein in the historical reception of his Dead Christ. The authors propose a balanced conclusion about the hypothesis of a drowned man from the Rhine being a model for the painting, pointing out that the body of the man from Holbein’s painting, according to anatomical details, could not have previously been in water. Furthermore, the absence of an Adam’s apple on Christ’s body is interpreted in the light of New Testament texts, rather than as a result of Holbein’s lack of anatomical precision. Similarly, the fact that Holbein painted a corpse deprived of all signs of divinity is seen in connection with the theological notion of kenosis. Ultimately, the authors conclude that the results of the anatomical analysis reflect the key elements of the hermeneutics of Gospel reports of Christ’s passion and death.