Abstract

The traditional shirt/blouse, submitted in the traditional costume patrimony, is one of the most important elements that is valued by artistic and symbolic valences attributed to the creators that told, and still tell, with the help of a single needle and thread, their life stories, aspirations, explaining the connection between people and nature, the divine.

Highlights

  • Technical University of Moldova Introduction- The traditional shirt/blouse, submitted in the traditional costume patrimony, is one of the most important elements that is valued by artistic and symbolic valences attributed to the creators that told, and still tell, with the help of a single needle and thread, their life stories, aspirations, explaining the connection between people and nature, the divine

  • The well-known teacher, archaeologist, folklore writer Alexandru Odobescu remarks the symbolic valences attributed to the creators that told, similarity of the Romanian folk costume as he knew from and still tell, with the help of a single needle and thread, his trips across the country „the shirt with sleeves, their life stories, aspirations, explaining the connection gathered in the middle, cut on the lap on both sides: the between people and nature, the divine

  • Creativity freedom in traditional costumes is marked by chromatic solutions in authentic models, structural, proportional, symmetrical, static, dynamic, and compositional aspects, mixing all the aspects to create something

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Summary

The fundamental structure of the Dacic costume

That give results of studies about the genesis of the traditional Romanian blouse [1,2,3,4,5,6,7,8,9,10,11,12,13,14] describes it as having come from the oldest of is found all over the country, the details of the cut, used materials, the decoration [9], referring to the Illyrian Thracian ancestry. The geometrical ornamental art prevail in the popular art of Romanian space makes the penetration of purple, gold, and silver as the Byzantine influence, replacing the existing discrete colors (the Argeș and Muscel costume), the penetration of Persia flowers in cheerful, triumphant and found themselves in camels, catrine, fouls, shoulders, birds, animals, human characters in age costumes determine the complex design of carpets. In the traditional costume in the Republic of Moldova, the influence of Mycenaean geometrical art with a deep long-term impression, following the same trend of styling by geometrical of the assumed Persian and Byzantine ornamental elements. Being one of the distinctive pieces of the traditional costume by the visibility of the ornamental character, shirt, it is distinguished from area to area by its fit, constituent elements, ornamental reasons, prevailing color, sewing techniques, materials involved in ornamentation, dimensional characteristics of constituent elements, terminal processing technologies, assembly techniques for landmarks, etc. Traditional Romanian Blouses by their Cut camels [12]

The morphological structure of the traditional
Conclusions
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