Abstract
The research paper attempts to analyse the narrative perspective in Ismat Chughtai’s “Lihaaf†which stands as a revolutionary text, far ahead of its time, in terms of breaking stereotypes associated with gender and sexuality. The inversion of sexuality as represented in “Lihaaf†is an example of a fascinating contrast to the misconstrued ideas about homosexuality, which is anteverted by the means of employment of a narrator who fails to comprehend the intensity of the situation.
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