Abstract
Considering the war context and the emergence of the avant-garde in the early twentieth century, I base on this work the reasons why the presence of the concept of nivola, attributed by Miguel de Unamuno to refer to the literary technique used in his novel Mist (1914), provokes a possible confrontation between universes composed of elements of reality and the virtual. In that sense, it will be appropriate to explain the procedure that originates that collision of established plans. For this, I will resort to literary categories that support the theories of fiction, according to the perception of Thomas Pavel and MarieLaure Ryan.
Highlights
Considering the war context and the emergence of the avant-garde in the early twentieth century, I base on this work the reasons why the presence of the concept of nivola, attributed by Miguel de Unamuno to refer to the literary technique used in his novel Mist (1914), provokes a possible confrontation between universes composed of elements of e-ISSN: 1562-384X Año XXV, Número 80 Julio-Diciembre 2021
I will resort to literary categories that support the theories of fiction, according to the perception of Thomas Pavel and MarieLaure Ryan
Se hallará la definición de nivola, los aspectos destacables de Niebla y el argumento textual
Summary
Una vez expuestas estas categorías, será notable su articulación con los principales móviles que interactúan en esta, como Augusto Pérez, Eugenia Domingo del Arco y Miguel de Unamuno. Niebla es emblemática para Miguel de Unamuno, porque corresponde con el periodo literario que se denomina existencialismo, y constituye una de las obras inminentes de la generación del 98.
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