Abstract

The viability of fiber optics reflectance spectroscopy (FORS) for the differentiation of red chalk drawing media was investigated, focusing on the group of drawings from the workshop of Giovanni Battista Piranesi (1720–1778) at the Staatliche Kunsthalle Karlsruhe, Germany. The evaluation of spectra was supported by principal component analysis (PCA). The method was tested on mock-up drawings made with recently acquired natural and synthetic red chalks of known origin. It was possible to sort these mock-up drawings according to chalk type and application technique. The compositional differences of these reference chalks were confirmed by X-ray diffraction (XRD) and scanning electron microscopy (SEM). Subsequent FORS analysis of selected original drawings revealed the existence of several closely grouped clusters, implying similarities on the basis of the underlying spectral features among the historical red chalks used in Rome. These similarities distinguished the historical drawings from the red chalk mock-up drawings, except for the drawings made with red chalk samples from the area near the town of Theley, Germany, which were shown to bear close similarities to those in the cluster of historical samples.

Highlights

  • In this study, we examine the viability of fiber optics reflectance spectroscopy (FORS) as a method for differentiating red chalk drawing media on paper

  • While earlier studies aimed at analyzing the physical properties of red chalk or understanding the connection between color and composition of ochers, in this study, we aim to explore the viability of FORS-derived spectra in combination with compositional analysis and principal component analysis (PCA) and better describe similarities and differences of modern and historic red chalk on paper

  • X-ray diffraction (XRD): mineral modes of red chalks To investigate the variation in the mineral composition of the chalks from natural deposits, multiple samples acquired between

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Summary

Introduction

We examine the viability of fiber optics reflectance spectroscopy (FORS) as a method for differentiating red chalk drawing media on paper. These drawings have been reattributed to the Roman workshop of the Italian architect, etcher, and dealer in antiquities Giovanni Battista Piranesi (1720–1778) in 2014 [1,2,3]. In the Piranesi workshop, where several different draftsmen were employed and closely cooperated, this wide range of red-chalk tonalities appears in a Krämer et al Herit Sci (2021) 9:112

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