Abstract
This paper aims to construct a theoretical framework to explore a creative design process, which might be described as a “reflective conversation with situation” in D. A. Schon's term. For this purpose, 1) we introduce C. S. Peirce's semiotics into the study on design process, 2) examine how we apply it to design processes, 3) obtain the cases of design processes through a design experiment, and 4) analyze those cases using Peirce's semiotic model. Thereby, we propose that the design process as a “conversation with situation” can be understood as circulative chains of signs on Peirce's sign division.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Journal of Architecture and Planning (Transactions of AIJ)
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
