Abstract
The study of radio art, whose most representative genres include radio drama39, is undoubtedly of interest not only to media scholars. Works of art created for the radio, as sound art pieces per se, are also becoming an engaging research ground for such disciplines as theory of music or musicol- ogy. Some of the most fascinating examples of radio dramas that may be found in the archives ofRadio Wroclaw are those created by Andrzej Waligorski – a distinctive artist whose activity fell onthe “golden days” of Polish radio drama art, commonly dated back to the 1960s and 1970s. Hisworks constitute a perfect example of a diverse approach to the phonic material of radio drama employed in order to enhance the presentation of the world depicted in the piece. Words and sounds, including music, become carriers of multiple meanings, which the author of the present article at- tempts to explore.
Highlights
Works of art created for the radio
most fascinating examples of radio dramas that may be found in the archives of Radio Wrocław are those created by
a distinctive artist whose activity fell on the “golden days
Summary
Ukierunkowana logocentrycznie analiza słuchowiska, choć z pewnością interesująca i atrakcyjna w kontekście ogólnych badań nad twórczością, nie koncentruje się jednak na aspektach słuchowiska, które najbardziej mogą zainteresować teoretyka muzyki czy muzykologa jako badaczy dźwięku. Warstwa foniczna słuchowiska może pełnić nie tylko rolę semantyczną, ale również emocjonalną. Porównując słuchowisko do innych realizacji Radia Wrocław, można domyślać się, iż rolę Pana Zdobylaka odgrywa Stanisław Igar.
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