Abstract
Ana Cristina Mendes’ Salman Rushdie in the Cultural Marketplace proposes an original reading of Rushdie’s work as it sets out to examine an aspect that critics have not fully developed yet: Rushdie is examined as a landmark, and as a literary product. Mendes’ analysis homes in on Rushdie’s magpie tendency, and shows that in collecting cultural items, he has become more than just a landmark in the cultural marketplace. To some extent, the study mimics the very process it captures. After a dens...
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