Abstract

ABSTRACT For centuries, Marco Polo's legends of the Old Man of the Mountain, his paradise garden, and his assembly of assassins have fascinated readers. Modern scholarship, however, has demonstrated that these are a fanciful history of the Nizari Ismaili Muslims of the state of Alamut. This article analyses the causes and motivations for the persistence of these tales and their trappings. The trope permeates popular culture ranging from medieval fables to the multi-billion dollar Assassin's Creed video game franchise. More surprising, the offensive “assassin” moniker and its associated images are strangely resilient within academia itself, long after Orientalist portrayals of the Muslim world stopped being fashionable. The study also introduces several little-known works, often newly discovered, which emanate from the state centred at Alamut. These allow us a rare glimpse into the community's self-perception. The steady recovery of such long-lost sources sheds new light on the Nizaris, revealing the life of a community that is equally fascinating, if less fantastic, than the “assassins” of Marco Polo's imagination.

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