Abstract
AbstractRecent declarations by the Congregation for the Doctrine of the Faith have disallowed any effort to rethink the tradition's negative evaluation of homosexuality. Citing Thomas Aquinas, the CDF appeals to eternal law as an important warrant for its position. Homosexual orientation is an objective disorder. It is an inclination to intimacy which violates God's design for human sexuality. This claim excludes further consideration of the topic. This study examines Aquinas' claim to know God's eternal law. At the heart of Aquinas' argument is the simile that creation is like a human artifact and God like an artist. When we know the work we know the Artist's intent. Heidegger's hermeneutical account of the work of art suggests that Aquinas has overlooked the historical grounds for the relationship between artist and artifact. Aquinas has the simile wrong. If Heidegger's approach is a reasonable alternative to that of Aquinas, then a space is opened within Catholic discourse to rethink the question of homosexuality.
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