Abstract
(Edward) Swan Hennessy (1866–1929) was an Irish-American composer resident in Paris from c1903, where he developed a reputation as a ‘Celtic’ composer, drawing mainly on his Irish heritage. Although the majority of his known works (numbering more than 80) are still in print and occasionally performed, especially by chamber musicians, his life and career have hitherto remained largely unknown. Condensing aspects of the author’s forthcoming life-and-works monograph on the composer, this article is the first academic study to trace Hennessy’s biography and to provide a critical assessment of his music. It draws on genealogical information, archive material in the Hennessy family’s possession and other sources for establishing the composer’s Irish roots, the circumstances of his education, early career and travels in Europe. His network of contacts and influences in France and his reception on the musical scene and in the press are also examined, with extensive use of sources from England, Ireland and Germany as well as France, including reviews of concerts and his published music. While the focus of the article is on the nature of and reasons for Hennessy’s musical celticism, the assessment of his music also encompasses the non-celticist works that reveal an impressionist voice influenced by Debussy and Ravel. The article concludes with a comprehensive catalogue of Hennessy’s compositions.
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