Abstract
Today humanity is going through a period of great upheavals and rapid changes in every sphere of life, including the environment, that inevitably lead to general destabilisation and disruptions. In the latest novel by Rumaan Alam, apocalyptic Leave the World Behind (2020), a crisis appears to reshape our closest bonds and forge new ones. This story of an invisible terror deals with cataclysmic but mysterious events that shut down the communication networks we over-rely on, and sees an almost overwhelming sense of uncertainty, panic and increasing anxiety. Isolated in the remote holiday house with the Vermont stone kitchen tops and night-lit swimming pool, a couple of New Yorkers and their teenage children are looking forward to taking a rest from the routines of city life when catastrophe strikes. In addition to the major theme of the threat of human extinction, Leave the World Behind explores the relationship between class and race and the complexities of parenthood and solitude during an unspecified disaster. Those issues are included in the context of the global problem of anthropogenic impacts on the environment. At the same time, Alam demonstrates how habituation to the ongoing crises in the modern world, including social-ecological transformations, affects the understanding of a severe situation people are facing and ways to prevent it: they have increasing tolerance for the absurd. The suspenseful, provocative and prescient book, Leave the World Behind, captures the generalised panic of 2020, the year of a global outbreak of coronavirus. As a kind of end-of-the-world fiction, the novel is full of moments of exquisite recognition and reappraising of our attitudes the article discusses.
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