Abstract
Paracelsus, which appears here for the first time, represents a significant departure both for its author and for Canadian drama. George Ryga, in his previous six plays (including Indian, a one-acter) has made his reputation as a playwright more engage in contemporary issues of Canadian society than anybody else In our theatre. Certainly in English Canada. Even A Portrait of Angelica, as yet unpublished though placed in Mexico, is about a Canadian painfully confronted with the abundant poverty of the Third World.
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