Abstract
This interview with the poet Glenda George and Lewis Johnson (PhD student, University of Liverpool) took place over email during December 2021–March 2022. George discusses her early work in the British Poetry Revival, examining the impacts of class and gender on her experience as a writer. George describes her role in the development of the poetry magazine Curtains (1971–1978), discussing her translation process and her reason for translating the French avant-garde into English. George concludes by tracing her poetics from the 1970s and 1980s into the present, offering her views on contemporary poetry and poetics.
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