Abstract
Juan Carlos Ruiz Gijon is a painter of the second half of the 17th century little known despite his membership in the Sevillian Academy of Painting, in which he came hold the position of butler, and his relationship, not only profesional, with academic directors as Cornelis Schutt and Matias de Arteaga. The vocation letter signed by him of a Monastery of Saint Paula’s nun called Agustina de San Pedro in 1685 adds one more work to his acarce catalog.
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